Florida, 2015
Arching back and a
million dots of heaven
a million shots of
shivering spears shaped
to cross the neighbors on
a bush positioned to accuse
what cotton candy strokes
soot hasn’t spiked
in the sky yet. And outside
the supermarket bathes in
peaching breaths. Come night
the absence of furry wash
only leaves the negative
three pronged and proving
parking lot light a ghost
that delivers my terror
this time asleep and unscared;
I can finally breathe.
The first and my flatness
signs off on cobalt
and the mesh screen retreats
saying yes and ceding knees
to red kneeling on rice.
This is the punishment for
needing less and not needing
and trusting every dusk
green chose to let
wane and whispering.
You taught me the comedy
fear brings to greet unknowns
is the shot of animality
in a sleeping child’s cries.
We’ve torn from theirs
to teach lying, ours
is one of caricatures
and all we can manage
giving is putty palms
that always melt.
My sticky hands collect candy
store reflections on doors
that only lead to more
doors. They’re performers
every shiniest façade
extremity of disguises
the paragon of fraud
but I still awe because
my eyelashes can’t help but
join in to the rush of
reflecting iridescence.
I can feel rippling of rocks
dropped, two radial ribbed
pearls that swell
sigh of relief
infected and rejecting entrance
I hope from hindsight’s
chariot of glass. How
silly the past looks
rectangular, exposing the
creator, dishonest and
always looking away a
second too early. Back then
I only snapped photos for a
memory card to store until it
died pregnant with rectangles
it would take to the grave
A sharpie to the printed back
refused to entertain a lie
“Florida, Jan. 2015”
denying they capture any life.
Four years later I
draw my focus across
the dormant images, part
the colors floating, rearrange
their animate textures to
practice the feeling of living.
These words but you
can’t re-live what
you missed. The window
and the challengers of outlines
shake the absence from glass.